Music from behind the Pyrenees

Harmonie | 4 junio 2017

Crítica sobre Trilogía de Tonadillas de Blas de Laserna (1751 - 1816) @ Prague Spring International Music Festival

The second concert, 30. 5. Hall of the Rudolfinum, presented a repertoire of well-known and even less actually very local. There were three tonadillas, short dramatic sketches, which usually form intermezzo, Madrid dominated theaters during the Enlightenment. The author was a master of the genre, Blas de Laserna (1751-1816), whose songs of the evening added a few more sentences from Vicente instrumental Bassett (1748-1762). Lasernovy tonadillas are notable for their high and low mixing style while Spanish and Italian elements. The result is an original, almost pololidové theater, reminiscent of both vaudeville and early Singspiel Central European and Italian opera buffa. Durability and attractiveness tonadillas however, is acting primarily on the implementation and timeliness comic, sometimes downright satirical content for multilayer communication between artists and audience forming one community. This in a foreign environment, natural barrier partially reduced as translations in the program, and especially their own productions of artists poloscénickým. (Light reduction, especially in the second tonadille was not due to these circumstances detrimental things.)

The biggest recognition it deserves Ruth Iniesta , who with unflagging energy "handles" all three tonadillas, and its breakdown, but still pleasant soprano voice and comic verve filled the entire Rudolfinum. The first and third were tonadilla solo singer turned first in ancient and modern subsequently Hispania - in both cases constitute the majority of the content of the criticism of contemporary manners. In the second tonadille classic scene, unmarried lovers p?istižených father of the girl, they performed well baritone Sebastia Peris and tenor Juan Manuel Padrón , with a very characteristic and comic role barber fitting timbre. Although the instrumental accompaniment was stylish, but after one player violin against a pair of horns were in the constellation personnel and simplicity of the musical score, not the best choice. Convincing effect were rather in slow movements, in particular combinations classicist flute guitar created impressive and unexpected atmosphere. The overall performance of the ensemble left the festival audience rather less impressed, but the concert brought in the country otherwise unattainable experience and familiarity with remarkable aspect of Spanish musical culture.

Enlace

http://www.casopisharmonie.cz/kritiky/hudba-zpoza-pyreneji.html


Otras críticas sobre el mismo concierto

Medea, tonadillas, písn? z Auvergne a Petr Wajsar v Operním panoramatu Heleny Havlíkové (Lidovky) junio 2017
Špan?lská linka Pražského jara je bezesporu oživením p?i objevování u nás p?ece jen mén? známé kultury, nicmén? výb?r pozvaných um?lc? by m?l být prov??ován d?kladn?ji. Program souboru Forma Antiqva zn?l zajímav? - prost?ednictvím skladatele Blase de Laserny (1751-1816) toto komorní uskupení se specializací na starou hudbu p?ivezlo tonadillas escénicas , specifický žánr špan?lského hudebního divadla p?elomu 18. a 19. století. Tyto scénické kuplety s písni?kami a pop?vky vycházejícími ze špan?lského folklóru v kombinaci s vlivy italské opery a jejími koloraturními áriemi byly u divák?...

Ruth Iniesta a špan?lské scénické kuplety (Opera+) mayo 2017
T?etí setkání se špan?lskou hudbou na Pražském jaru se neslo v duchu staré hudby. 30. kv?tna v Rudolfinu hostoval soubor Forma Antiqva pod vedením cembalisty Aaróna Zapica a s trojicí mladých p?vc? Ruth Iniestou (soprán), Juanem Manuelem Padrónem (tenor) a Sebastiou Perisem (baryton). Na programu byla scénická hudba osmnáctého století, tonadilly Blase de Laserny. Tonadilla je krátký scénický kuplet s mravou?ným, vlasteneckým nebo komickým nám?tem, který se provozoval v divadlech jako krátké intermezzo o p?estávkách mezi ?ástmi dramatu. Laserna, usazený v Madridu jako divadelní skladatel,...

Premios

Premio GEMA al Mejor Grupo de Música Barroca (s. XVIII) y del Clasicismo 2016.

Premio GEMA a la Mejor Producción Discográfica 2016 por "Crudo Amor - Agostino Steffani" (Winter & Winter).

"Asturiano del Mes" del periódico La Nueva Espańa, Excelente Audio Clásica, Excepcional Scherzo, Goldberg 4 estrellas, "Grupo del Ańo 2010" de la TV del Principado de Asturias, Melómano de Oro, Nomination ICMA 2011, 2012 & 2014, Prelude Classical Music, "Premios de la Música en Asturias" 2012, Premio Serondaya a la Innovación Cultural 2012, Recomendado CD Compact, Ritmo Excelente, Supersonic Pizzicato.

Patrocinadores

Conjunto residente del Auditorio - Palacio de Congresos "Príncipe Felipe" de Oviedo.

TaxiOviedo: transporte oficial en Asturias

Contacto

Universo Zapico
gerente@universozapico.com
www.universozapico.com

(+34) 657 987 290
c/ Ramón y Cajal, 18 - 3º Izq.
33900 Langreo, Asturias (España)